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Edinburgh Fringe

Mark Thomas: WD40 (2025)

We’re very aware that this review is late. So very, very late. If we had a proper editor (and I always imagine J.K. Simmons as J. Jonah Jameson when I say that), he’d have been screaming at us for over... Continue Reading →

Police Cops: The Original (2025)

Well, this is an absolute treat. We’re sat under the tarpaulin roof of The Unicorn Bar, drinks in hand, sunshine streaming through, and it’s the last day of this year’s Edinburgh Fringe. But that lovely scene isn’t the treat I’m... Continue Reading →

Ivo Graham: Orange Crush (2025)

We’d fled the chaos of Pleasance Courtyard — not far, just down the hill to The Holyrood 9A and its frankly ridiculous gin selection (Rock Rose and Isle of Harris topped our highly scientific taste test, if you’re keeping score).... Continue Reading →

Pierre Novellie: You Sit There, I’ll Stand Here (2025)

Our evening started with chaos: a cab that never turned up, a failed attempt to leg it across town, and, for the first time ever, a missed Fringe show. The silver lining? It gave us plenty of time to get... Continue Reading →

Troy Hawke: WiP (2025)

Don’t you just hate it when your own words come back to bite you in the arse? In our 2023 review of Troy Hawke we boldly declared: “Okay, we fully intended to stop writing anything about work-in-progress shows. We sort... Continue Reading →

Caroline McEvoy: Train Man (2025)

It’s the final day of the Fringe and we’re sat in Assembly Gardens. I’ve just helped the bar “tidy up” the last of its Zubrowka, and we’ve bumped into a journo pal who – bafflingly – has picked today as... Continue Reading →

Thor Stenhaug: One Night Stand Baby (2025)

Over the past few years, we have found ourselves mining the Scandi comedy caves like gold-obsessed prospectors from 1848. From the genius of  Ari Eldjárn's Eagle Fire Iron to the abstract absurdity of Hugleikur Dagsson's No Idea, these clowns have always delivered. So, when... Continue Reading →

Matt Forde: Defying Calamity (2025)

At this year’s Fringe, Matt Forde – inadvertently – raised an interesting point of discussion. His show was the most expensive we saw at the festival. And arguably, that should factor into any review. For context, our second-priciest ticket (a... Continue Reading →

Eric Rushton: Innkeeper (2025)

There is a real novelty in wandering into a nightclub during the day: it's never a space that is meant to be enjoyed by sober eyes, and not with all the lights on. On this occasion there is also a... Continue Reading →

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