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Edinburgh Fringe

Dave Vaughan & Liam McGough: Two Guys, One GCSE (2026)

I think the phrase goes something like, "You have to have the bad to appreciate the good." If that is true, then we are due something truly amazing to appreciate after this show. The premise is simple, playful and, frankly,... Continue Reading →

John Robertson’s The Dark Room (2026)

I feel that I'm a little late to the party in reaching this conclusion, but I think that with The Dark Room, John Robertson may have inadvertently created the comedy version of The Rocky Horror Show. But before I justify... Continue Reading →

Eric Rushton: Could Well Be In (2026)

Today is all about what is colloquially known as the tricky second album. But before we get to that, we cannot begin without a quick mention of the most important meal of the day. One of our guys flew in... Continue Reading →

Mark Thomas: WD40 (2025)

We’re very aware that this review is late. So very, very late. If we had a proper editor (and I always imagine J.K. Simmons as J. Jonah Jameson when I say that), he’d have been screaming at us for over... Continue Reading →

Police Cops: The Original (2025)

Well, this is an absolute treat. We’re sat under the tarpaulin roof of The Unicorn Bar, drinks in hand, sunshine streaming through, and it’s the last day of this year’s Edinburgh Fringe. But that lovely scene isn’t the treat I’m... Continue Reading →

Ivo Graham: Orange Crush (2025)

We’d fled the chaos of Pleasance Courtyard — not far, just down the hill to The Holyrood 9A and its frankly ridiculous gin selection (Rock Rose and Isle of Harris topped our highly scientific taste test, if you’re keeping score).... Continue Reading →

Pierre Novellie: You Sit There, I’ll Stand Here (2025)

Our evening started with chaos: a cab that never turned up, a failed attempt to leg it across town, and, for the first time ever, a missed Fringe show. The silver lining? It gave us plenty of time to get... Continue Reading →

Troy Hawke: WiP (2025)

Don’t you just hate it when your own words come back to bite you in the arse? In our 2023 review of Troy Hawke we boldly declared: “Okay, we fully intended to stop writing anything about work-in-progress shows. We sort... Continue Reading →

Caroline McEvoy: Train Man (2025)

It’s the final day of the Fringe and we’re sat in Assembly Gardens. I’ve just helped the bar “tidy up” the last of its Zubrowka, and we’ve bumped into a journo pal who – bafflingly – has picked today as... Continue Reading →

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