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Edinburgh Fringe

Dave Vaughan & Liam McGough: Two Guys, One GCSE (2026)

I think the phrase goes something like, "You have to have the bad to appreciate the good." If that is true, then we are due something truly amazing to appreciate after this show. The premise is simple, playful and, frankly,... Continue Reading →

John Robertson’s The Dark Room (2026)

I feel that I'm a little late to the party in reaching this conclusion, but I think that with The Dark Room, John Robertson may have inadvertently created the comedy version of The Rocky Horror Show. But before I justify... Continue Reading →

Eric Rushton: Could Well Be In (2026)

Today is all about what is colloquially known as the tricky second album. But before we get to that, we cannot begin without a quick mention of the most important meal of the day. One of our guys flew in... Continue Reading →

Mark Thomas: WD40 (2025)

We’re very aware that this review is late. So very, very late. If we had a proper editor (and I always imagine J.K. Simmons as J. Jonah Jameson when I say that), he’d have been screaming at us for over... Continue Reading →

Pierre Novellie: You Sit There, I’ll Stand Here (2025)

Our evening started with chaos: a cab that never turned up, a failed attempt to leg it across town, and, for the first time ever, a missed Fringe show. The silver lining? It gave us plenty of time to get... Continue Reading →

Caroline McEvoy: Train Man (2025)

It’s the final day of the Fringe and we’re sat in Assembly Gardens. I’ve just helped the bar “tidy up” the last of its Zubrowka, and we’ve bumped into a journo pal who – bafflingly – has picked today as... Continue Reading →

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